| Archived Poems for 2001-2002 | |||
| Archived Poems for 2003-2004 | |||
| Archived Poems for 2005-2006 | |||
| Archived Poems for 2007-2008 | |||
| January '09 | Once there was a temple here | February '09 | The First Full-moon Night |
| March '09 | The First Spring Day | April '09 | The Bridge from the Path |
| May '09 | spring is like a perhaps hand | June '09 | Summer has two Beginnings |
| July '09 | Atavism | August '09 | In August |
| September '09 | September Poem | October '09 | Red Bird |
| November '09 | November Snow | December '09 | To Juan at the Winter Solstice |
| January '10 | Orchard Trees, January | February '10 | when the winter chrysanthemums go |
| March '10 | April '10 | ||
| May '10 | June '10 | ||
| July '10 | August '10 | ||
| September '10 | October '10 | ||
| November '10 | December '10 | ||
| Once there was a temple here | |
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Once there was a temple here
With marble columns gleaming white Once the gods themselves looked down Upon these altars with delight. Olympus climbs into the clouds And mortals look up from below— The hidden summit must have gods, We do not just believe—we know. |
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But gods, it seems, are mortal too
And gods must die, as must we all And temples, without gods, decay; Abandoned columns soon will fall. The people leave; the waters rise; What was a marble floor, now grass; The sunken statuary gaze, And dumbly watch millennia pass. |
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Once the gods were worshipped here
Today the rulers here, the frogs Control the fate of damsel-flies; Athena’s columns for their logs. The gods, it seems, cannot stop time And Zeus himself must lose his crown The land gives way to fish and frogs… And turtles all the way down. |
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| the Digital Cuttlefish | |
| The First Full-moon Night | |
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Last year, in the First Full-moon Night,
At the Flower Market, lanterns were As bright as day; when the moon Came up on the top of the willows, My love and I met after dusk. This year, in the First Full-moon Night, The moon and lanterns are the same as before. But I do not see the one who Was with me last year, and tears wet the Sleeves of my spring gown. |
| Ou-yang Hsiu |
| The First Spring Day | |
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I wonder if the sap is stirring yet,
If wintry birds are dreaming of a mate, If frozen snowdrops feel as yet the sun And crocus fires are kindling one by one: Sing, robin, sing; I still am sore in doubt concerning Spring. |
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I wonder if the Springtide of this year
Will bring another Spring both lost and dear; If heart and spirit will find out their Spring, Or if the world alone will bud and sing: Sing, hope, to me; Sweet notes, my hope, soft notes for memory. |
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The sap will surely quicken soon or late,
The tardiest bird will twitter to a mate; The Spring must dawn again with warmth and bloom, Or in this world, or in the world to come: Sing, voice of Spring, Till I too blossom and rejoice and sing. |
| Christina Georgina Rossetti |
| The Bridge from the Path | |
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When the sun dips close to the western horizon,
The rays fall fully and brightly on the bridge. The granite pilasters and the steel girders glow As they reflect the glory! The function of the bridge, to get the train From one side of the river to the other, Fades in the glory of the glow, Silver, orange, and gray pearl! Our heron soars against this glow, Startling and sharp in the light, Duplicating itself in the waters below, And we gaze at the beauty! |
| Charles Davis |
| spring is like a perhaps hand | |
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Spring is like a perhaps hand
(which comes carefully out of Nowhere)arranging a window,into which people look(while people stare arranging and changing placing carefully there a strange thing and a known thing here)and changing everything carefully spring is like a perhaps Hand in a window (carefully to and from moving New and Old things,while people stare carefully moving a perhaps fraction of flower here placing an inch of air there)and without breaking anything. |
| e.e.cummings |
| Summer has two Beginnings | |
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"Summer has two Beginnings --
Beginning once in June -- Beginning in October Affectingly again -- Without, perhaps, the Riot But graphicker for Grace -- As finer is a going Than a remaining Face -- Departing then -- forever -- Forever -- until May -- Forever is deciduous Except to those who die --" |
| Emily Dickinson |
| Atavism | |
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I always was afraid of Somes's Pond:
Not the little pond, by which the willow stands, Where laughing boys catch alewives in their hands In brown, bright shallows; but the one beyond. There, when the frost makes all the birches burn Yellow as cow-lilies, and the pale sky shines Like a polished shell between black spruce and pines, Some strange thing tracks us, turning where we turn. You'll say I dream it, being the true daughter Of those who in old times endured this dread. Look! Where the lily-stems are showing red A silent paddle moves below the water, A sliding shape has stirred them like a breath; Tall plumes surmount a painted mask of death. |
| Elinor Wylie |
| In August | |
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HEAT urges secret odors from the grass.
Blunting the edge of silence, crickets shrill. Wings veer: inane needles of light, and pass. Laced pools: the warm wood-shadows ebb and fill. The wind is casual, loitering to crush The sun upon his palate, and to draw Pungence from pine, frank fragrances from brush, Sucked up through thin grey boughs as through a straw. Moss-green, fern-green and leaf and meadow-green Are broken by the bare, bone-colored roads, Less moved by stirring air than by unseen Soft-footed ants and meditative toads. Summer is passing, taking what she brings: Green scents and sounds, and quick ephemeral wings. |
| Babette Deutsch |
| September Poem | |
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The goldenrod is yellow, The corn is turning brown, The trees in apple orchards With fruit are bending down; The gentian’s bluest fringes Are curling in the sun; In dusty pods the milkweed Its hidden silk has spun; The sedges flaunt their harvest In every meadow nook, And asters by the brookside Make asters in the brook; |
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From dewy lanes at morning
The grapes’ sweet odors rise; At noon the roads all flutter With yellow butterflies– By all these lovely tokens September days are here, With summer’s best of weather And autumn’s best of cheer. |
| Helen Hunt Jackson |
| Red Bird | |
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| Red bird came all winter
firing up the landscape as nothing else could. Of course I love the sparrows, those dun-colored darlings so hungry and so many. I am a God-fearing feeder of birds. I know He has many children, not all of them bold in spirit. Still, for whatever reason — perhaps because the winter is so long and the sky so black-blue, or perhaps because the heart narrows as often as it opens — I am glad that red bird comes all winter, firing up the landscape as nothing else can do. |
| Mary Oliver |
| November Snow | |
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The first to fall is the first to go.
Earth wears its mantle damp and chill — Patina of November snow. Leaves raged with fire just days ago — Now grays, ash browns, pale yellows tell The first to fall are the first to go. Remains of harvest in desolate row Brace for the final winter kill Beneath their shroud of November snow. The rakes now dry, the plow and hoe Await Spring’s promise to fulfill — The first to fall are the first to go. Lit by the sky’s anemic glow The pines are standing stiff and still, Defiant of November snow. In barns of silence wait those who know What lies beneath the fields they till — The first to fall are the first to go, Together with November snow. |
| Joseph Pacheco |
| To Juan at the Winter Solstice | |
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There is one story and one story only
That will prove worth your telling, Whether as learned bard or gifted child; To it all lines or lesser gauds belong That startle with their shining Such common stories as they stray into. Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall. Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love. Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward. The log groans and confesses: There is one story and one story only. Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time. Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed. |
| Robert Graves |
| Orchard Trees, January | |
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It's not the case, though some might wish it so
Who from a window watch the blizzard blow White riot through their branches vague and stark, That they keep snug beneath their pelted bark. They take affliction in until it jells To crystal ice between their frozen cells, And each of them is inwardly a vault Of jewels rigorous and free of fault, Unglimpsed until in May it gently bears A sudden crop of green-pronged solitaires. |
| Richard Wilbur |
| when the winter chrysanthemums go | |
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When the winter chrysanthemums go,
there's nothing to write about but radishes. |
| Bashou |

| Ridges | Walden | Pine | Black Oak | Little Pine | Chestnut | Haw |
| Greenbelt | Emory Valley | Key Springs | Newfound Gap | Pellissippi |